Some of our members in the UK ...
Just click on the Artists name to see more of their work.
I seek to throw a reflection and address a concept; wherewith contemporary paradigms inspire me.
My work is linked to other disciplines using jewellery as another language of my artistic expression.
My work is linked to other disciplines using jewellery as another language of my artistic expression.
Ali’s practice celebrates the overlooked.
As a bricoleur and bowerbird, bits and stuff are foraged and reworked to create unique objects;
embedding the form’s identity in a moment of time.
As a bricoleur and bowerbird, bits and stuff are foraged and reworked to create unique objects;
embedding the form’s identity in a moment of time.
Amy fuses industrial and precious materials to create bold, one off contemporary jewellery.
She combines cement with striking metalwork, nature and gemstones to challenge our perception of what is ‘precious’.
She combines cement with striking metalwork, nature and gemstones to challenge our perception of what is ‘precious’.
Ceciel has a passion for combining understated and perhaps undervalued materials such as pewter, acrylics,
slate or copper using traditional techniques and elevating these into bold and colourful statement jewellery.
slate or copper using traditional techniques and elevating these into bold and colourful statement jewellery.
Circular economy principles are an integral part of my process using the imperfect, discarded and intervention of the self as
inspiration, tool, and material. Waste is reused, reworked and recycled within and across my art and jewellery practices.
inspiration, tool, and material. Waste is reused, reworked and recycled within and across my art and jewellery practices.
I am a studio jeweller, which means I love to experiment in all materials and produce one off pieces and small batch production, as ideas flow, my jewellery evolves.
Clare is a contemporary mix media Jewellery designer based in Devon.
Her focus in on re-using materials that would otherwise be discarded to create precious items of Jewellery that can be worn everyday.
Clare has a range of collections which all have the concept of recycling ..... from one precious object to another.
Her focus in on re-using materials that would otherwise be discarded to create precious items of Jewellery that can be worn everyday.
Clare has a range of collections which all have the concept of recycling ..... from one precious object to another.
Dan is known for working primarily with wood and other found objects gathered from his local surroundings
to create intricate component based adornments with social, political and environmental narratives.
to create intricate component based adornments with social, political and environmental narratives.
Organic handmade jewellery born out of a love of nature and designed using a mix of precious metals, beads, paper and fabric.
Colourful, bold and all one of a kind.
Colourful, bold and all one of a kind.
Work with an environmental conscience.
Deborah’s most recent collection 'Plasticity' is inspired by the impact of human activity on the planet
and is formed in recycled single-use plastics and silver.
Deborah’s most recent collection 'Plasticity' is inspired by the impact of human activity on the planet
and is formed in recycled single-use plastics and silver.
Fascinated with the mind, Eleanor explores mental health and illness.
She creates a physical representation of a journey invisible to others and encourages dialogue around this taboo subject.
She creates a physical representation of a journey invisible to others and encourages dialogue around this taboo subject.
Eleanor's work derives from a fascination with different types of materials, especially reclaimed plastics, which she finds
and scavenges for use in her work.She aims to make jewellery which is beautiful and intriguing, rather than purely
decorative, questioning the nature of 'preciousness' and disposability.
and scavenges for use in her work.She aims to make jewellery which is beautiful and intriguing, rather than purely
decorative, questioning the nature of 'preciousness' and disposability.
Emily embraces an cathartic collaboration of creativity, health and sustaining the environment. Practicing brutal destructive
techniques, revealing riches of purposeful vigor of worth. Redressing salvaged materials to create impact Jewellery.
techniques, revealing riches of purposeful vigor of worth. Redressing salvaged materials to create impact Jewellery.
Emily’s jewellery is inspired by memory and light.
She works with abstract surface designs to bring the jewellery
to life as the wearer moves, reflecting light in all directions.
She works with abstract surface designs to bring the jewellery
to life as the wearer moves, reflecting light in all directions.
Enssembly uses quotes and phrases to create unique, electronic keepsakes using upcycled wood and stunning pyrite gems. Coated with organic Linseed oil and attached to a mixed pyrite bead necklace. Each unique piece is NFC enabled and when a compatible smartphone taps the rectangular pyrite cluster, the quote appears on screen.
Faye's work is anchored around combining contrasting materials of different origin and weight through
an organic process of construction and embellishment to create intriguing wearable objects.
an organic process of construction and embellishment to create intriguing wearable objects.
Fern Robinson creates 'childishly sophisticated' jewellery with vibrant shards of crayon in smooth tactile resin,
aiming to create a uniquely fun relationship between jewellery and owner.
aiming to create a uniquely fun relationship between jewellery and owner.
Hayley creates dramatic and highly tactile jewellery which tells a deeply personal story of her past,
whilst communicating the hidden beauty within the gritty urban landscapes in which she has immersed herself.
whilst communicating the hidden beauty within the gritty urban landscapes in which she has immersed herself.
Holly's main source of inspiration comes from her travels to various, yet significant, destinations.
By digging into the information she gathers, interesting sources are then transformed into wearable art.
By digging into the information she gathers, interesting sources are then transformed into wearable art.
I work in silver, 18K gold, copper and vitreous enamel. My pieces are created by either reticulation/ etching
or by manipulating copper mesh coated in multiple layers of vitreous enamel.
or by manipulating copper mesh coated in multiple layers of vitreous enamel.
Not Your Average Beauty collection
A collection of facial ornaments inspired by radical tribal jewellery that aims to combat media’s
idealisation of beauty and the modern society’s obsession of plastic surgery.
The collection offers a viable alternative that celebrates individuality and
imperfections.
A collection of facial ornaments inspired by radical tribal jewellery that aims to combat media’s
idealisation of beauty and the modern society’s obsession of plastic surgery.
The collection offers a viable alternative that celebrates individuality and
imperfections.
Kate’s jewellery explores the minute complexity of lichens along with their chemical compound structures.
Pieces are unique and sculptural, handcrafted in an intuitive and experimental way using materials appropriate to each piece.
Pieces are unique and sculptural, handcrafted in an intuitive and experimental way using materials appropriate to each piece.
Adding a modern futuristic spin on traditional skills of the jeweller, working in silver Kate hand crafts with passion
contrasting hard lines, soft curves, simple elegance with bursts of brutalism.
contrasting hard lines, soft curves, simple elegance with bursts of brutalism.
Katy Gillam-Hull makes historically inspired narrative objects and jewellery.
Obsessed with the fragmented and forgotten she often works with found objects and stories, and she showcases their hidden value
with her contemporary artefacts.
Obsessed with the fragmented and forgotten she often works with found objects and stories, and she showcases their hidden value
with her contemporary artefacts.
Kim Sutherland is a London based maker who combines metalwork with formal research
in the creation of inscribed objects - wall-based meditations inspired by the sacred and the ritual.
in the creation of inscribed objects - wall-based meditations inspired by the sacred and the ritual.
Tumbled, battered, burnt, lost, found, stranded pieces of ephemera gathered on the tidelines of beaches, on the hinterlands where the sand meets the land… each piece has journeyed, travelled over waves, through storms, bobbed, floated and drifted onto the strand line and into my hands.
Drawn to traditional techniques combined with unconventional materials, exploring the idea of a different kind of treasure,
my adventure with jewellery continues my journey as a multi-disciplinary artist.
my adventure with jewellery continues my journey as a multi-disciplinary artist.
'I love that there is a hidden beauty within these often unnoticed treasures hidden works of art just waiting to be discovered. Discarded by man and shaped by mother nature's elements'
Lucy's Jewellery is handcrafted using techniques that have remained unchanged for hundreds of years.
She uses traditional tools from her Granddads workshop and takes inspiration from ancient Lichen forms.
materials.
She uses traditional tools from her Granddads workshop and takes inspiration from ancient Lichen forms.
materials.
I use discarded objects, off-cuts, found materials, mementos of the past and share the preciousness I see in them,
giving them a new life as jewellery, sculptures and small objects.
giving them a new life as jewellery, sculptures and small objects.
I excavate ideas around the intent of magic on material thinking and how provenance
and metaphysical values charged shapeless relationships between object and body.
and metaphysical values charged shapeless relationships between object and body.
Matilde Mozzanega transforms layers of industrial cardboard tubing into upcycled,
innovative and sculptural jewellery - celebrating fluidity & change of matter.
innovative and sculptural jewellery - celebrating fluidity & change of matter.
Jewellery made using semi-precious stones, silver and beaten metals fashioned into individual pieces often asymmetrical and always arresting.
Silver wire is shaped, soldered, and combined with resin to create elegant forms in striking colour combinations.
The resin takes centre stage resulting in jewellery that evokes refined, modern sensibilities.
The resin takes centre stage resulting in jewellery that evokes refined, modern sensibilities.
I experiment with found objects and salvaged leftover materials,
creating wearable art as a means of communicating my thoughts on various concepts.
creating wearable art as a means of communicating my thoughts on various concepts.
Wearable navigation sculptures. Hidden maps & secrets,
stories of Space Travel, Planet Earth, Ecology, Moon, & Ocean.
Found things, upscaled plastics, tree resins, seeds, ethical gemstones, recycled metals.
'Future Gemstones'
stories of Space Travel, Planet Earth, Ecology, Moon, & Ocean.
Found things, upscaled plastics, tree resins, seeds, ethical gemstones, recycled metals.
'Future Gemstones'
Nerissa makes work inspired by coastal textures and beach-combed finds, creating interesting combinations of structure and colour
using old clothes and scrap materials for both economic & ecological sustainability.
using old clothes and scrap materials for both economic & ecological sustainability.
I'm Osian, an artist. I bounce around the fun edges of Jewellery design squishing new shapes, colours and
narratives in to unique sculptural pieces for fingers.
narratives in to unique sculptural pieces for fingers.
Rachel Butlin seeks to challenge the concepts of contemporary interactive and wearable jewellery producing a range of
high end, mixed material wearable pieces. She loves to challenge the way in which people perceive a piece, by creating
small scale sculpture that can be worn on the body, in a way chosen by the wearer.
high end, mixed material wearable pieces. She loves to challenge the way in which people perceive a piece, by creating
small scale sculpture that can be worn on the body, in a way chosen by the wearer.
'What makes one stone more precious than another? Rarity? Colour? Price? A pebble picked from a myriad of others with an attached memory or story of time and place. Is that not just as precious?
Each stone arrives in your possession with its own power and beauty ready to listen and take on your story....'
Each stone arrives in your possession with its own power and beauty ready to listen and take on your story....'
As a self-professed material alchemist, and a general sucker for all things bright and bold,
my work is an exploration of materials; my current weapon of choice being slime.
my work is an exploration of materials; my current weapon of choice being slime.
Val Muddyman works in jesmonite, metals and beach detritus, to create jewellery which celebrates the natural marks left by the tide on man-made coastal defences.
Yuka Jourdain creates jewellery that narrates biodiversity loss in nature and historical and current human conditions.
She uses traditional jewellery techniques combined with new materials she encounters.
She uses traditional jewellery techniques combined with new materials she encounters.