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My interest is about social behaviour in terms of impulsive consumption, mass production, waste. In response, I create
contemporary jewellery / objects for the wall or the body, with a focus on a timeless quality of the making and materials.
contemporary jewellery / objects for the wall or the body, with a focus on a timeless quality of the making and materials.
Deconstructed vintage silverware. Works explore the crack between worlds, where mythology and folklore
inform our collective consciousness. Inspired by nature and concerned with the preservation of it.
inform our collective consciousness. Inspired by nature and concerned with the preservation of it.
As a Pākehā, my practice explores the understanding, interpretation, and purpose of ornament in the socio-historical
context of Aotearoa New Zealand, problematising the colonisation process and its enduring legacy here.
context of Aotearoa New Zealand, problematising the colonisation process and its enduring legacy here.
The common material paired with the decay of urban surfaces is the provocation for my making.
The surfaces of my work questions perceptions of beauty and value in society.
The surfaces of my work questions perceptions of beauty and value in society.
Creating jewelry since 1990, I began with pendants crafted from recycled aluminum and acrylic. Evolving into a sustainable
practice, I now design a diverse range, incorporating components from disassembled electronics, reducing landfill waste while
ensuring each piece is bespoke and uniquely handcrafted.
practice, I now design a diverse range, incorporating components from disassembled electronics, reducing landfill waste while
ensuring each piece is bespoke and uniquely handcrafted.
