Some of our members in Spain ...
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My pieces explore the relationship between architecture and jewelry, between object and jewelry, between object and scale.
I try to manage the language of emptiness and fullness to put them in tension.
I try to manage the language of emptiness and fullness to put them in tension.
Ani pushes the limits of an eggshell: its structure, combination with other materials and perception.
She plays with changed identities, fragility, irony and displacement …
NB. only eggs from un-endangered species are used.
She plays with changed identities, fragility, irony and displacement …
NB. only eggs from un-endangered species are used.
A personal encounter that arises in the experimentation of found and alternative materials, without any kind of treatment where added small brass figures give meaning and completion to the pieces, you and I have points of union.
The union of different materials by points represent the union of different people and the symbiosis until we create that perfect link that makes us one.
The union of different materials by points represent the union of different people and the symbiosis until we create that perfect link that makes us one.
My work evolves around the conceptual world. My travelling companion is a spoon.
Metals, enamels and recycled plastics are my allies. I want my jewellery to carry a secret code that only I and the spoon know
Metals, enamels and recycled plastics are my allies. I want my jewellery to carry a secret code that only I and the spoon know
'Cartonpia' is a workshop for the design and artisan creation of unique and timeless object-sculpture-jewellery
pieces with the philosophy of recycling disused paper and cardboard.
pieces with the philosophy of recycling disused paper and cardboard.
My jewels are in the border between the funny and the violence, the strange and the childish,
death and laughter, between candies and guts, addressing gender conflicts and my fears.
death and laughter, between candies and guts, addressing gender conflicts and my fears.
Eva’s work makes people appreciate the ordinary by stimulating curiosity.
She takes inspiration from our manufactured environment and moves everyday objects out of their usual contexts to portray socio-political matters.
She takes inspiration from our manufactured environment and moves everyday objects out of their usual contexts to portray socio-political matters.
From jewellery I am intrigued by the symbiosis between industrial precision and the language of craftsmanship.
Exploring compositions through geometry; finding balances in relation to object / space / body.
Exploring compositions through geometry; finding balances in relation to object / space / body.
I dedicate myself to contemporary jewellery and in my pieces I combine different materials, circuits and electric motors.
For me, making contemporary jewellery is like a small liberation, it is taking out all those demons that one carries inside,
and transforming that energy into artistic pieces.
For me, making contemporary jewellery is like a small liberation, it is taking out all those demons that one carries inside,
and transforming that energy into artistic pieces.
I'm interested in jewellery that loses it's superfluous and merely decorative facet and becomes a tool for communication, vindication or reflection. I enjoy exploring new techniques and materials as well as discovering new creative processes to express myself.
For me, jewelry is a language where we can express our ideas and emotions, but also a means where artists
must commit to sustainability and the needs of the future.
must commit to sustainability and the needs of the future.
May Gañán paints jewels. Dreams and memory are the main topics depicted on her work.
Vogue awarded artist for Creativity.
Vogue awarded artist for Creativity.
In these times it is required that jewellery speaks of all kinds of emotions and not only the beautiful ones.
I think this is the aim of contemporary jewellery.
I think this is the aim of contemporary jewellery.
To express and carry the precious value of Life, exploring techniques and materials in order to reflect on our
relationship with Nature by experimenting with ethnographic research during the creative process.
relationship with Nature by experimenting with ethnographic research during the creative process.
Freedom and commitment are the two concepts that I have always wanted to give to my work, to go against the current,
not to be misunderstood and criticised, that is the right way to go.
not to be misunderstood and criticised, that is the right way to go.